Arabic:

وَأَن لَّيْسَ لِلْإِنسَانِ إِلَّا مَا سَعَىٰ”


"وَأَنَّ سَعْيَهُ سَوْفَ يُرَىٰ

English:

“And that there is not for man except that [good] for which he strives, and that his effort is going to be seen.”

-Surah An-Najm (53:39-40)

Silhouette of a person walking on a bridge during sunset or sunrise, holding a helmet and carrying a bag, with a streetlamp and a cloudy sky in the background.
A black and white drawing of a man's face with wide eyes and a surprised or shocked expression.
A young man wearing glasses and a blue sports jersey with the number 10 is reading a sheet of paper while standing.
A young boy wearing a plaid blue shirt and plaid shorts, standing with hands on hips, wearing a wide-brimmed transparent hat, standing in front of a wooden background with logs and woven baskets.

As a young Muslim director from Northwest, Ohio, I describe myself as an introvert who uses other people's stories to express myself and to tell my own. While I bring light to others, I am searching for my own light, which inspires my obsession with "dark tone" films. As a method director and editor, I grow; when shots shift in tone, they reflect my daily introspection. Tasked with continuous self-reflection and purposeful direction, I am better able to connect the dots when behind a camera.

Before I found film, I felt I was behind a false identity—a mask of who I truly was. Filmmaking became my escape; it was not about the camera, but the perspective behind it. My life comprises multiple angles: academically, I am an artist balancing the sciences; culturally, I am Afghan, balancing the American lifestyle. Through this duality, I bring harmony as I pursue my purpose. While the product is essential, the process is equally significant. With film, I find a space where that inward search becomes a piece of outward art. Directing has taught me to manage chaos and lead a team toward a shared vision. This path is about spotlighting others and myself, revealing reality, asking questions, and capturing moments that help me see a little more clearly.

SONY FX30 RIG

A precision camera mounted on a tripod, being manually adjusted in the dark, with the night sky in the background.
    • Sony FX30 with Tamron 17–70mm Lens

    • Sony a6400 (2x)

    • Sony FE 50mm f/1.8 Lens

    • Sony FE 50mm Power Zoom Lens (2x)

    • Canon EOS Rebel T3i with EF-S 18–55mm &

      55–250mm Lenses (backup kit)

    • DJI Mavic Air 2 Drone

    • DJI Ronin-S Gimbals (2x)

    • DJI Ronin Stabilizer (newer model)

    • Tilta Nucleus Nano II Wireless Follow Focus

    • SmallRig Cage, Rod System, Matte Box, ND Filters

    • V-Mount Battery Setup

    • VELLO V-Rig

    • Small Rigs for DJI support

    • Sennheiser MKE 600 Shotgun Mic

    • Sennheiser XS Wireless Mic System (2x)

    • Sennheiser EM-XSW1 Dual Receiver

    • RØDECaster Pro (integrated audio mixer/recorder)

    • Rode On-Camera Microphone

    • Rode Portable Microphones (4x)

    • Zoom H6 Handy Recorder with mic modules (XYH-6, MS Stereo Ball MSH-6)

    • Audio-Technica Headset

    • GVM Continuous LED Lights with Stands (3x)

    • Backdrop Holder with Green Screen

    • Feelworld F6 Plus Monitor

    • Feelworld Standard Monitor

    • Sunpak Travel Lite Pro Tripod

    • Epson WUXGA Projector (with case)

    • Pengo HDMI to USB 3.0 Grabber (Capture Device)

    1. Camera Operation

    2. Gimbal Stabilization

    3. Focus Pulling

    4. Behind The Scenes Footage

    5. Lighting Design

    6. Sound Engineer

    7. Boom Operator

    8. Adobe Premiere Pro

    9. Photoshop

    10. Final Cut Pro

    11. Final Draft 13 

Professional camera mounted on a rig with various accessories, including a monitor and lights, on a desk.
Close-up of a camera lens displaying ARRI branding, zoom setting at 2.9 meters, with a blurred camera body and background.
Close-up of a professional camera with a large lens, focusing on the camera's mode dial and various controls.

Contact

Contact

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